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・ "O" Is for Outlaw
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・ "Ode-to-Napoleon" hexachord
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・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
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・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
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・ !Women Art Revolution


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Cambridge Journals : ウィキペディア英語版
Cambridge University Press

:''For the football club, see Cambridge University Press F.C..''
Cambridge University Press (CUP) is the publishing business of the University of Cambridge. Granted letters patent by Henry VIII in 1534, it is the world's oldest publishing house and the second-largest university press in the world (after Oxford University Press).
The Press's mission is to "To further the University's mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence."〔(【引用サイトリンク】title=Cambridge University Press at a Glance )
Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. With a global sales presence, publishing hubs, and offices in more than 40 countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes academic journals, monographs, reference works, textbooks, and English-language teaching and learning publications. Cambridge University Press is a charitable enterprise that transfers part of its annual surplus back to the University.
==History==
Cambridge University Press is both the oldest publishing house in the world and the oldest university press. It originated from Letters Patent (similar to a royal charter) granted to the University of Cambridge by Henry VIII in 1534, and has been producing books continuously since the first University Press book was printed. Cambridge is one of the two privileged presses (the other being Oxford University Press). Authors published by Cambridge have included John Milton, William Harvey, Isaac Newton, Bertrand Russell, and Stephen Hawking.
University printing began in Cambridge when the first practising University Printer, Thomas Thomas, set up a printing house on the site of what became the Senate-House lawn – a few yards from where the Press's bookshop now stands. In those days, the Stationers' Company in London jealously guarded its monopoly of printing, which partly explains the delay between the date of the University's Letters Patent and the printing of the first book.
In 1591, Thomas's successor, John Legate, printed the first Cambridge Bible, an octavo edition of the popular Geneva Bible. The London Stationers objected strenuously, claiming that they had the monopoly on Bible printing. The University's response was to point out the provision in its charter to print 'all manner of books'. Thus began the Press's tradition of publishing the Bible, a tradition that has endured for over four centuries, beginning with the Geneva Bible, and continuing with the Authorized Version, the Revised Version, the New English Bible and the Revised English Bible. The restrictions and compromises forced upon Cambridge by the dispute with the London Stationers did not really come to an end until the scholar Richard Bentley was given the power to set up a 'new-style press' in 1696. In July 1697 the Duke of Somerset made a loan of £200 to the University "towards the printing house and presse" and James Halman, Registrary of the University, lent £100 for the same purpose.〔''The Cambridge University Press 1696—1712'' (C. U. P., 1966), p. 78〕
It was in Bentley's time, in 1698, that a body of senior scholars ('the Curators', known from 1733 as 'the Syndics') was appointed to be responsible to the University for the Press's affairs. The Press Syndicate's publishing committee still meets regularly (eighteen times a year), and its role still includes the review and approval of the Press's planned output. John Baskerville became University Printer in the mid-eighteenth century. Baskerville's concern was the production of the finest possible books using his own type-design and printing techniques.
Baskerville wrote, ''"The importance of the work demands all my attention; not only for my own (eternal) reputation; but (I hope) also to convince the world, that the University in the honour done me has not entirely misplaced their favours."'' Caxton would have found nothing to surprise him if he had walked into the Press's printing house in the eighteenth century: all the type was still being set by hand; wooden presses, capable of producing only 1,000 sheets a day at best, were still in use; and books were still being individually bound by hand. A technological breakthrough was badly needed, and it came when Lord Stanhope perfected the making of stereotype plates. This involved making a mould of the whole surface of a page of type and then casting plates from that mould. The Press was the first to use this technique, and in 1805 produced the technically successful and much-reprinted Cambridge Stereotype Bible.
By the 1850s the Press was using steam-powered machine presses, employing two to three hundred people, and occupying several buildings in the Silver Street and Mill Lane area, including the one that the Press still occupies, the Pitt Building (1833), which was built specifically for the Press and in honour of William Pitt the Younger. Under the stewardship of C. J. Clay, who was University Printer from 1854 to 1882, the Press increased the size and scale of its academic and educational publishing operation. An important factor in this increase was the inauguration of its list of schoolbooks (including what came to be known as the 'Pitt Press Series'). During Clay's administration, the Press also undertook a sizable co-publishing venture with Oxford: the Revised Version of the Bible, which was begun in 1870 and completed in 1885. It was in this period as well that the Syndics of the Press turned down what later became the Oxford English Dictionary—a proposal for which was brought to Cambridge by James Murray (lexicographer) before he turned to Oxford.
The appointment of R. T. Wright as Secretary of the Press Syndicate in 1892 marked the beginning of the Press's development as a modern publishing business with a clearly defined editorial policy and administrative structure. It was Wright (with two great historians, Lord Acton and F. W. Maitland) who devised the plan for one of the most distinctive Cambridge contributions to publishing—the Cambridge Histories.
The ''Cambridge Modern History'' was published between 1902 and 1912. Nine years later the Press issued the first volumes of the freshly edited complete works of Shakespeare, a project of nearly equal scope that was not finished until 1966. The Press's list in science and mathematics began to thrive, with men of the stature of Albert Einstein and Ernest Rutherford subsequently becoming Press authors. The Press's impressive contribution to journal publishing began in 1893, and today it publishes over 300 journals.
In 1992 the Press opened its own bookshop at 1 Trinity Street, in the centre of Cambridge. Books have been sold continuously on this site since at least 1581, perhaps even as early as 1505, making it the oldest known bookshop site in Britain.
In 2012 the Press decided to end the tradition of printing after 428 years and now uses third parties to provide all of its print publications.

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